Song of the Shank is based on real events, which Jeffery Renard Allen masterfully blends with fiction to create an extraordinary novel that won both critical acclaim and numerous awards.
At the heart of the story is Thomas Greene Wiggins, a nineteenth-century African American pianist, composer, and performer who gave concerts under the stage name Blind Tom.
Jeffery Renard Allen is an American poet, essayist, and novelist. Born in Chicago in 1962, he graduated from the University of Illinois at Chicago, where he also earned his PhD.
He is the author of two poetry collections, Stellar Places (Moyer Bell, 2007) and Harbors and Spirits (Moyer Bell, 1999), as well as the short-story collection Holding Pattern (Graywolf Press, 2008). His novel Rails Under My Back (Farrar, Straus and Giroux, 2000) received the Heartland Prize for Fiction from the Chicago Tribune.
He has also received a Whiting Award and the Charles Angoff Award for Fiction from Literary Review. His essays, reviews, short stories, and poems have appeared in numerous journals and anthologies.
He is currently a Professor of Creative Writing at the University of Virginia. Previously, he taught English at Queens College of the City University of New York and served on the faculty of Columbia University’s writing program. He has also taught at a variety of universities and literary centers around the world.
Allen is Director of the Fiction Program at the Norman Mailer Center and co-founder and president of the Pan-African Literary Forum, a non-profit organization dedicated to supporting writers from across the African continent.
Born in Georgia in 1849, Tom was indeed blind. By the age of six he was already performing piano recitals. He became famous not only in the United States but also across Europe, and was the only African American musician to perform at the White House. Yet he remained largely overlooked because music scholars dismissed him as autistic and therefore not a “true” musical talent.
Tom lived and breathed music. He woke and slept with it. He cared neither about being paid, nor about whom he played for, nor whether people considered him a genius or a curiosity. The pianist who earned even more than Rubinstein, whose audiences included celebrated figures such as Mark Twain, and whom Oliver Sacks later brought back into public attention through his book An Anthropologist on Mars, was Black, blind, and autistic.
Through his distinctive literary voice, Jeffery Renard Allen succeeds both in vividly portraying Tom and in bringing to life the turbulent era in which he lived.