In Sasia, an isolated village in the Italian mountains, two lonely people with heavy secrets come together.
Silvia Avallone tells a story of darkness and redemption with tenderness and empathy, gently guiding the reader by the hand — as author Niccolò Ammaniti puts it.
Silvia Avallone was born in 1984 in Biella, a town in the Piedmont region of northern Italy. She studied Philosophy and Literature at the University of Bologna, where she still lives today. She made her literary debut in 2007 with the poetry collection Il libro dei vent’anni (The Book of Twenty Years).
She subsequently published short stories in a number of literary magazines. Her first novel, Acciaio (Steel), was published in 2010. The book was a major success, translated into numerous languages, and won the Campiello First Novel Award (2010). It was also shortlisted for the prestigious Strega Prize, Italy’s most important literary award, and was later adapted for the screen.
Her other works include Marina Bellezza (2013), Da dove la vita è perfetta (Where Life Is Perfect, 2018), and Un’amicizia (A Friendship, 2020). In 2012, Le Lynx was published in France.
Avallone is also a contributor to the Italian newspaper Corriere della Sera and its weekly supplements Sette and La Lettura.
Sasia is an isolated little village nestled in the mountains of northwestern Italy. It can only be reached via a steep, rough dirt road that winds through dense forest.
Emilia, a thirty-year-old woman, chooses to settle there after serving a prison sentence for a serious crime she committed in her teens. Bruno, who carries his own heavy past and deep loneliness, also chooses Sasia as his home.
Both retreat there in the hope of easing their wounds and continuing life in peace — or perhaps simply of enduring their punishment more quietly. Yet what they achieve instead is a far more intense confrontation with their inner darkness and buried secrets.
Does Sasia help them find the cracks in their darkness through which light might enter?
Only a great writer like Silvia Avallone could take on such a heavy story, approaching her characters without prejudice, with delicacy and lightness, neither judging nor condemning them.